• Collaborative tools to connect School and Landscape
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    Edulands learning experience

    Raum Für Nachhaltigkeit

    University of Applied Arts Vienna (UAAV)
    Author/s
    Michaela Martinek
    University of Applied Arts Vienna (UAAV), University of Applied Arts Vienna, Oskar Kokoschka-Platz 2, 1010 Wien, Austria
    Rolf Laven
    University of Applied Arts Vienna (UAAV), University of Applied Arts Vienna, Oskar Kokoschka-Platz 2, 1010 Wien, Austria

    In the spirit of exploring responses to current global challenges we reach for new and positive collaborations, approaches and formats. eduLANDS for Transitions has been a further catalyst and has opened up new channels and stimuli. We have developed FLUX-Terrace alongside Raum für Nachhaltigkeit and succeeded in integrating these new creative spaces into eduLANDS for Transitions. This social constructivist learning has accelerated our connection with digital technology. We are excited and pleased to share something of the changes these developments have brought.

    In the context of art and design projects at the Angewandte, Raum für Nachhaltigkeit is a fresh student-engaged inclusive forum for sustainable and socially-just innovation and sharing: friendly, responsive, forward-looking, evolving, innovative.

    Keywords

    • Angewandte
    • Art
    • Artistic Design for Sustainability
    • Artistic Project/Design Course
    • Collaborative Learning Tools
    • Cooperation
    • Design
    • Sustainability
    • Transition Design
    • UAAV

    Learning objetives and goals

    1. Original objectives of Raum für Nachhaltigkeit (design concept and design draft provided in 2019 by student) on course No. S03417

    • To offer a safe inclusive space for respectful sharing and experimentation in the field of art and design, with a view to a sustainable future.
    • To enable exchange between all students and all staff of any rank or specialism within the University of Applied Arts Vienna (participation/experimentation/ realization).
    • To increase democracy and diversity of input and output through the existence of this dynamic, inclusive, RfN_a collaborative learning tool (c) Cornelia Feitsinger permeable group: a new model for networking.

    2. Objectives of the course No. S03417 – adapted in 2021 in response to objectives of Raum für Nachhaltigkeit, adapted further In 2022 in response to new collaboration with eduLANDS for Transitions

    • Explore how to connect the Angewandte/ FLUX-Terrace with local landscape through artistic design
    • To facilitate and empower students to identify ‘what is needed now’ and to develop real life artistic design and pedagogical solutions to respond to this usefully and effectively.
    • To explore the potential of the new connections between Raum für Nachhaltigkeit, eduLANDS for Transitions and FLUX-Terrace in terms of ‘what is needed now?’ and how we can respond most effectively to this through artistic design.
    Topics related to landscape and transition

    Learning experience data sheet

    Subject/s
    Art
    Course/level
    Variable
    Age range of students
    Variable
    Number of students
    2-25
    Number of groups/classes
    Variable
    Number of sessions needed to develop in the experience
    Total time invested in the experience
    5 Hours

    Methodology

    Study area

    Participants take responsibility for themselves (adults only participate) Rules of the road to be observed at all times by all participants.

    Pedagogical methodology

    Preparation phase: discussion of research question and decision about nearby sustainable artistic projects

    • Exploration of potential activities and selection.
    • Exploration of potential bicycle route and test in proximity landscape UAAV
    • Invitation on different channels

    Activity phase: Introduction at meeting point, Bicycle Tour of proximity landscape with focus of specific bicycle tour outlined e.g. a visit to the bees,

    • Taking pictures and instantly sharing on Social Media

    Documentation phase: Critical Evaluation as an aspect of action research

    • Reflecting on internal perceptions of external landscape (through text and visuals)
    • Synopsis of RfN learning tool in different formats e.g. INSTA and booklets for maximum inclusivity
    Space where the experience is carried out

    (Using Bicycle Tour as example)

    • Preparation phase: UAAV and proximity landscape
    • Activity phase: proximity landscape
    • Documentation phase: UAAV
    Where the learning experience has been developed
    Educational materials and/or resources needed

    (Using Bicycle Tour as example) bicycles, helmets, map of the route.

    Evaluation

    Initial or pre-assessment
    • Participants find new ways of working Collaborative RfN tool: Bicycle Tour (c) Cornelia Feitsinger together whilst also still taking full responsibility for themselves
    • Participants learn how to play an active part in imagining solutions based on reallife connections
    • Participants explore perceptions, connections, their own responses, and gain new insights and ideas
    • Participants learn of the value and potential in collaboration in Artistic Design Projects
    • Participants learn how to develop action- based design skills
    • Participants learn to create practically useful pedagogical tools which can be shared in educational settings
    • Participants engage with proximity landscape with the focus on Artistic Design Projects
    • Participants imagine and practise working together in an inter-cultural world
    • Participants review their own conception of inner and outer landscape and the relationship between these.
    • Supports social mental and physical health whilst respectiong the environment
    Formative evaluation
    • Integration of Bicycle Tour as established regular starting point of RfN
    • Experiential awareness-building through group connectivity with proximity landscape
    • Sense of individual and shared responsibility for collaborative learning tools through Bicycle Tour as Artistic Design Project
    • Environmentally-situated learning involved the whole person in a community/group setting in the landscape
    • Breakdown of barriers between student group and wider society through physically moving out into and through the proximity landscape
    • Fun and wellbeing gave a positive impetus to the subsequent Artistic Design Challenges
    • The course has adapted to today’s learning ecosphere
    • Participants engaged with proximity landscape with the focus on Artistic Design Projects
    • Low cost, low CO2 project, adaptable and therefore sustainable
    Final evaluation

    How can artistic design education (collaborative RfN-Bicycle Tour) respond to changing humanitarian and environmental challenges?

    • The collaborative learning tool RfN-Bicycle Tour offers multiple, adaptable possibilities for Artistic Design Education e.g. bees, water, bike repair, birds in the city, integration of formal education provision with the wider community, opening up conversations, group cohesion, benefitting health and wellbeing, reducing isolation, connecting with nature, reviewing our sense of relationship with the ‘natural’ world.
    • Potential to change the shape of education through interacting directly with the landscape and the wider community
    • Digital learning landscape and social media open up new channels of connectivity and sharing.
    • Informal learning through shared experiences builds trust and mutual support
    • Artistic Design Education can facilitate opportunities to be part of sustainable design conversation, including design for social justice.
    • Artistic Design Education offers important potential for working collectively and collaboratively to imagine and develop tools for a more sustainable future.

    Supplementary materials

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